The Book of Changes: Symbolic Landscapes of the I Ching
On view December 2nd- January 26th
Opening reception: Tuesday, December 5th from 4-6pm
64 works by Elizabeth Nelson inspired by the 64 hexagrams of the I Ching
Elizabeth Nelson is best known for her images of northeastern landscapes. Her work has been shown since the late 1980s and has been presented in juried shows for nearly as long. She is represented by galleries in New York and Vermont and has won commissions for public art. Neither a young nor obscure artist, one can believe her
when she says, “Every so often artists come to the end of what they’re exploring.” They have to ask, “Where do I go from here?” 2012 was one of those periods for Liz. She wanted to transform her work.
In January 2012, she started a series of “Symbolic Landscapes” inspired by the sixty four hexagrams of the I Ching. Incorporating chance even into the procedure, She threw coins to choose a hexagram each time a painting was started and would contemplate the result as she thought or dreamt an image. Her work has always referenced the landscape of northern New England and this new series continued that exploration, but with an interior dimension of symbols and geometric juxtapositions.
A friend showed her the book in the mid 1960s. “The language about the symbols connected so closely to unconscious thoughts I had been having.” She wears divination loosely; there are times she refers to the method frequently and times she puts it aside for years. Liz describes her use as “something I have used in different ways for different questions and in different intensities.”
The discipline of such a project is “very freeing.” Describing the freedom inside of discipline, Liz makes this analogy: “If you’ve cooked a souffle, one that’s followed the rules, and have had some success, then you start changing things.” She applies that thought to painting: “You have to keep pushing the edges of your knowledge and capabilities to grow as an artist. “Completing one idea,” she explains, gives her the “confidence to do a riff on it. It’s a physical skill, among other things. You have to have confidence in your skills; you keep practicing.”
For the first time all 64 of these new paintings will be on exhibit.
Free and open to the public. For more information, please call (802) 533-9075 or visit http://www.HighlandArtsVT.org.
The China Daily wrote: “At the exhibition being held at the Tiamiao temple on Monday, titled Between Heaven & Heart, Wang will display a piece work of “chaos calligraphy” in which he rewrote in white paint the Chinese divination classics I-Ching, or Book of Changes, on a 32-meter-long glass board. The script, regardless of its unrecognizable style, brings a renewed visual experience of which people focus on the rhythm of lines instead of the meaning of characters.”
Wang has exhibited and taught around the world.
“The late artist Walter De Maria was known for making sculptures with enormous mounds of dirt and even bolts of lightning. Presented as a sort of enigmatic puzzle, “360° I Ching” measures nearly 10,000 square feet in its newest incarnation, sprawling over two large galleries at Dia:Beacon, the museum for minimalist and monumental art in upstate Beacon, N.Y. The work, surrounded by an aura of mystery and quiet contemplation, opens Sunday and will remain on view through summer 2017.”
View the complete article at the Wall Street Journal.