There have been many trends in interpreting ancient Chinese books such as the Yijing. One is to view the text through the “lens” of a specific theme or occupation. The Designer’s Book of Change does just this, as have numerous other titles from the same publisher (formerly Humanics Press).
“Designer” in this case has nothing to do with the specifics of graphic art, fashion, or home decor trends. Rather, the author, C. G. Garant, a professor of design education, has given careful thought to how the Yijing conforms with meaningful and universal principles of design, from the cosmic to the local. He writes, “….design creates the structure upon which the expansion of awareness, i.e. consciousness, is experienced. Design is the vehicle that actively transports our consciousness from one symbol to the next and from one pattern to another across dimensions.”
The hexagram entries each take up two pages: on the left page, a large, handwritten character for the hexagram name, hexagram figure, number, name, trigrams and nuclear trigrams. On the right page is a poetic interpretation of the hexagram, followed by a discussion of the hexagram’s meaning.
The introductory thirty pages present Garant’s ideas on how design underlies everything. His interpretations of hexagrams are not formulaic in any manner, and offer thoughtful insights that nicely blend philosophy and practice. An example from Hexagram 41 Sun:
“It is imperative that designers attempt to refrain from immediate and self-centered gratification, but rather focus on cultivating the mind so that the harmony between meaning and purpose can be truly felt and experienced.”
Garant’s prior books are The Tao of Design and The Tao of Circles. The Designer’s Book of Change is a refreshingly interesting and relevant take on an ancient classic. While it may be of particular interest to those involved with creative, problem-solving kinds of work, it is worth taking a look at for those with general interest in the Yijing.